The 1950’s Fabulous Foursome!
This
is
a
fan
site
of
the
original
Diamonds
of
the
1950s.
All
hailing
from
Canada,
they
made
their
way
to
the
U.
S.,
and
with
their
songs
and
energy,
endeared
themselves
to
their fans forever.
United States Court of Appeals for the Second Circuit
Glenn STETSON, Plaintiff-Appellant,
v.
HOWARD D. WOLF & ASSOCIATES; Howard D. Wolf and Bob Duncan, Defendants-Appellees.
February 6, 1992
The Reason For The Court Case
It
sometimes
is
difficult
even
for
an
expert
to
distinguish
between
real
diamonds
and
paste.
We
are
called
upon
to
identify
the
real
Diamonds
in
a
dispute
between
two
competing
vocal
groups.
Plaintiff-appellant
Glenn
Stetson
appeals
from
a
judgment
entered
in
the
United
States
District
Court
for
the
Southern
District
of
New
York
(Martin,
J.)
declaring
that
defendants-appellees
Howard
D.
Wolf
&
Associates,
Howard
D.
Wolf,
and
Bob
Duncan
(collectively,
the
"Duncan
Group")
have
the
exclusive
right
to
use
the
trade
name
and
trademark
"the
Diamonds"
for
a
singing
group,
and
permanently
enjoining
plaintiff-appellant
Stetson
from
future
use
of
the
name
and
mark.
Stetson
brought
this
action
in
an
effort
to
have
himself
declared
sole
owner
of
the
trade
name
used
by
his
singing
group.
The
district
court
found
no
merit
in
Stetson's
assertion
of
legal
title
to
the
Diamonds
name.
In
particular,
the
trial
judge
found
that
the
trade
name's
original
owner,
Nathan
D.
Goodman,
never
abandoned
the
name
and
properly
conveyed
all
interest
in
it
to
the
Duncan
Group's predecessors in interest.
Stetson
argues
on
appeal
that
the
district
court,
in
determining
his
claim
that
Goodman
abandoned
the
mark,
should
have
applied
the
standard
formulated
in
Silverman
v.
CBS
Inc.,
870
F.2d
40
(2d
Cir.1989).
The
Duncan
Group
contends
that
even
under
that
test,
the
court
reached
the
correct
result.
We
believe
the
district
court
erred
in
failing
to
apply
the
standards set forth in Silverman, but find that even under the appropriate criteria the Duncan Group must prevail.
The
1950's
saw
the
rise
of
vocal
quartets,
with
many
groups
becoming
overnight
sensations
in
the
United
States
and
selling
millions
of
records.
The
Diamonds
were
one
if
those
groups.
Ted
Kowalski,
Phil
Levitt,
Bill
Reed,
and
David
Somerville
(the
"Original
Diamonds"),
Nathan
D.
Goodman
managed
the
group
from
its
inception.
Several
personnel
changes
occurred
over
time,
and
in
1958,
when
Goodman
and
the
Diamonds
entered
into
a
new
contract,
the
group
consisted
of
Somerville,
Mike
Douglas,
Evan
Fisher,
and
John
Felten.
According
to
the
new
contract,
Goodman
was
to
serve
as
manager
and
representative
for
the
band
in
all
business
dealings,
and
would
have
certain
duties
in
connection
with
arranging
music
and
staging
the
performances.
More
importantly,
the
contract
provided
that
the
four
singers
would
not,
"without
the
written
consent
of
[Goodman]
first
obtained,
use,
nor
cause
to
be
used,
nor
in
any
way
exploit
the
trade
or
professional
name
The
Diamonds."
A
later
partnership
agreement
in
1963,
signed
by
Douglas,
Fisher,
Felten,
and
Somerville's
replacement
James
Malone,
reconfirmed
Goodman's
exclusive
right
to
control
and
use
the
Diamonds
trade
name, as well as Goodman's managerial duties and royalty entitlements.
In
1967,
the
partnership
dissolved.
Under
the
terms
of
the
dissolution
agreement,
the
Diamonds
name
became
the
exclusive
property
of
Goodman.
Douglas,
Fisher,
Felten,
and
Malone
continued
to
perform
as
the
Diamonds
pursuant
to
a
license
granted
them
by
Goodman,
with
Goodman
still
acting
as
manager.
Shortly
after
the
execution
of
the
dissolution
agreement,
Goodman
began
experiencing
difficulties
collecting
from
the
singers
the
royalties
due
him,
and
the
group
refused
to
acquiesce
to
Goodman's
management
decisions
on
bookings
and
promotion.
The
singers
attempted
to
revoke
the
dissolution
agreement
in
1968,
and
Goodman
responded
with
a
lawsuit
requesting
not
only
a
declaration
of
his
exclusive
rights
to
the
trade
name,
but
also
an
injunction
to
force
the
group
to
comply
with
the
management
contract
and
license.
Goodman
also
sought
damages
in
the
amount
of
the
royalties
owed
him
by
the
singers
under
the
license
and
for
his
management
of
the
group.
Malone
apparently
never
was
served
with
process,
and
Douglas
and
Fisher
took
so
little
interest
in
the
case
that
their
attorney
eventually
moved
to
be
relieved
of
representing
them.
The
litigation
ended
in
February
1973
with
a
declaration
that
Goodman
possessed
sole
ownership
of
the
Diamonds
trade
name,
a
judgment
by
stipulation
against
Felten
for
royalties
owed,
and
an
injunction
against
future
use
of
the
trade
name
by
Felten
without
Goodman's
authorization.
The
other
three
who
had
signed
the
dissolution
agreement
but
had
not
participated
in
the
litigation
had
no
judgments
rendered
specifically
against
them
for
monetary
or
injunctive relief.
For
some
of
the
time
the
lawsuit
was
pending,
Douglas
continued
to
lead
a
group
called
the
Diamonds,
which
performed
around
the
country
without
Goodman's
imprimatur
or
acquiescence.
It
is
this
group
that
plaintiff-appellant
Glenn
Stetson
joined,
first
in
1969
for
a
brief
stint,
then
on
a
permanent
basis
in
1971.
Douglas
quit
the
Diamonds
around
June
1972,
apparently
turning
the
money
from
the
last
performance
over
to
Stetson
and
saying
"It's
all
yours."
Stetson
proceeded
to
lead
the
band,
which
continued
to
tour
as
the
Diamonds.
He
applied
for
and
received
a
service
mark
for
the
name
from
the
United
States
Patent
and
Trademark
Office
in
June
1974.
The
mark
lapsed
in
1980
due
to
Stetson's failure to file the requisite affidavit.
After
the
lawsuit,
in
late
1974
or
early
1975,
Goodman
licensed
the
Diamonds
trade
name
to
Felten,
who
resumed
touring
under
that
billing.
Thus,
two
competing
groups,
containing
none
of
the
Original
Diamonds,
toured
the
country
at
this
time.
In
1979,
Felten
hired
Bob
Duncan
to
join
the
group
as
a
vocalist.
When
Felten
died
in
an
airplane
crash
in
1982,
Duncan
assumed
leadership
of
the
group,
and
contracted
with
Goodman
for
a
license
to
use
the
Diamonds
name.
Duncan
then
assigned
that
license
to
Diamond
Productions,
Inc.,
which,
in
1983,
instituted
suit
against
Goodman's
son
(as
Goodman's
heir)
to
enjoin
his
promotion
of
another
version
of
this
often
reincarnated
group.
The
case
ultimately
settled,
with
Diamond
Productions
obtaining
an
assignment
of
all
rights
the
Goodman
family
and
estate
possessed
in
the
trade
name.
In
1984,
Diamond
Productions
additionally
purchased
all
rights
to
the
Diamonds
name
from
the
members
of
the
Original
Diamonds.
When
the
Original
Diamonds
attempted
to
perform
in
1986,
Diamond
Productions
initiated
legal
action,
resulting
in
an
injunction
against
the
very
people
who
first
popularized
the
music
that
brought
fame
to
the
Diamonds.
The
parties
to
this
action
agree
on
at
least
one
thing--the
Original
Diamonds
have
no
claim to the name.
Stetson
filed
this
suit
in
January
1984
for
damages
for
the
alleged
infringing
use
by
the
Duncan
Group
and
for
a
permanent
injunction
prohibiting
defendants
from
using
the
name.
Defendants
denied
Stetson's
ownership
and
counterclaimed
for
an
injunction
and
damages
on
the
theory
that
they
were
Goodman's
successors
in
interest
to
the
trade
name.
After
a
non-jury
trial,
Judge
Martin
determined
that
Goodman
never
abandoned
ownership
of
the
trade
name
under
section
45
of
the
Lanham
Act,
15
U.S.C.
§
1127,
and
therefore
that
the
Duncan
Group,
as
Goodman's
successor
in
interest,
held
rightful
title
to
the
mark.
This
appeal
followed,
presenting
us
with
the
task
of
identifying
the
true Diamonds.
Discussion
To
determine
that
a
trademark
or
trade
name
is
abandoned,
two
elements
must
be
satisfied:
non-use
of
the
name
by
the
legal
owner
and
no
intent
by
that
person
or
entity
to
resume
use
in
the
reasonably
foreseeable
future.
In
this
case,
the
district
court
ruled
that
Goodman
"never
intended
to
abandon
his
right"
to
the
Diamonds
trade
name.
The
district
judge
found
that
Goodman's
lawsuit
against
the
singing
members
of
the
group,
initiated
in
1968
and
ending
in
1973,
was
"clearly
inconsistent
with
any
intent
to
abandon
the
name
'The
Diamonds',"
and
that
it
constituted
"further
evidence
that
Goodman
never
intended
to
abandon
his
right
to
use
the
name
'The
Diamonds'."
The
"intent
to
abandon"
language
directly contradicts Silverman's specific rejection of a test based on such an analysis.
Stetson
challenges
the
district
court's
ruling
on
this
issue,
claiming
that
the
judge
erred
by
employing
the
improper
standard
for
determining
abandonment.
By
phrasing
the
holding
in
terms
of
"intent
to
abandon,"
Stetson
argues,
the
trial
court
ignored
the
controlling
precedent
of
Silverman.
Under
the
proper
criteria,
Stetson
contends,
Goodman
failed
to
use
the
trade
name
between
1968
and
1973,
the
time
of
the
lawsuit,
and
Goodman
lacked
the
requisite
intent
to
resume
use
in
the
foreseeable
future.
Defendants-appellees,
therefore,
could
not
have
obtained
good
title
from
their
predecessor
in
interest
and
are
not
now
entitled
to
ownership
of
the
trade
name.
The
Duncan
Group,
on
the
other
hand,
argues
that
even
under
Silverman
the
evidence
supports
a
finding
that
Goodman
never
abandoned
the
mark
and
hence, as Goodman's successor in interest, it possesses exclusive rights to the trade name the Diamonds.
We
agree
with
Stetson
that
the
district
court
should
have
utilized
the
Silverman
criteria.
However,
while
the
district
court
applied
the
wrong
standard,
we
need
not
remand
for
further
fact-finding
and
analysis
in
light
of
the
correct
legal
standard.
An
appellate
court
has
the
power
to
decide
cases
on
appeal
if
the
facts
in
the
record
adequately
support
the
proper
result.
Where
the
facts
in
the
record
are
inadequate,
remand
is
appropriate.
The
facts
here
clearly
and
sufficiently
establish
that
Goodman
never
ceased
using
the
trademark,
and
the
issue
of
intent
to
resume
use
need
not
be confronted. It is therefore unnecessary for us to remand.
Based
on
the
Silverman
analysis,
a
court
must
look
to
the
trademark
holder's
occupation
or
business
to
determine
what
constitutes
use
of
the
mark.
For
example,
in
this
case,
if
the
Diamonds
singing
group
held
the
trademark
to
its
name
and
ceased
touring,
making
and
releasing
records,
and
receiving
royalties,
it
would
be
deemed
to
have
ceased
use
of
its
trade
name
because
the
public
would
no
longer
identify
the
group
name
with
its
members.
In
cases
of
the
kind
before
us,
where
a
group's
manager
holds
the
trademark,
non-use
becomes
a
more
difficult
inquiry
because
the
mark
receives
its
public
recognition
through
the
visibility
of
the
performers.
Yet
the
manager's
actions
certainly
contribute
to
the
group's
publicity.
By
arranging
tours,
organizing
record
production,
negotiating
contracts,
finding
television
and
radio
spots,
and
performing
other
managerial
activities,
the
manager
works
to
increase
the
popularity
of
the
group
by
expanding
its
public
exposure.
But
what
activities
must
the
manager
engage
in
to
constitute
use
when
the
performers
turn their backs on their agreement with him?
The
facts
on
the
record
in
this
case
show
that
Goodman
pursued
litigation
against
the
group
then
under
contract
with
him
to
perform
as
the
Diamonds.
Under
Silverman,
a
lawsuit
against
an
infringing
user
ordinarily
is
not
a
sufficient
excuse
for
failure
to
use
a
trade
name.
This
is
because
continued
use
of
the
name
is
necessary
to
avoid
the
claim
of
abandonment.
A
lawsuit,
without
more,
is
not
sufficient
of
itself
to
overcome
a
claim
of
abandonment.
A
trademark
must
be
used
or
lost
to
another
economic
actor
more
willing
to
promote
the
mark
in
commerce.
(defining
abandonment
of
trade name). We recognize the importance of this policy concern and reemphasize its validity and significance.
Goodman's
suit,
however,
entailed
more
than
simple
enforcement
against
infringing
users
to
halt
use
of
the
trade
name.
He
sued
for
royalties
owed
him
by
the
singers
and
for
an
injunction
to
force
them
to
comply
with
the
management
contract.
He
also
sought
a
declaration
of
sole
ownership
of
the
mark.
During
the
same
time,
the
performers
Goodman
was
suing
continued
to
sing
and
perform
as
the
Diamonds.
Goodman's
suit
was
not
merely
against
any
infringing
user,
but
rather
was
against
the
people
who
were
contractually
entitled
and
obligated
to
perform
under
his
auspices
using
the
Diamonds
name.
Goodman
did
not
stop
nor
seek
to
stop
the
use
of
the
trade
name
through
his
suit.
Rather,
he
desired
the
monies
due
him
under
the
management
and
licensing
agreement
and
sought
an
injunction
to
force
the
singers
to
conform
with
the
agreement
to
insure
that
the
trademark
remained
in
the
public
eye
in
a
fashion
its
owner
intended.
The
Diamonds
continued
to
glitter
in
the
public
eye,
and
Goodman
intended
that
they
do
so.
Therefore,
it
would
be
incorrect
to
conclude
that
because
Goodman
sought
to
enforce
his
contractual
as
well
as
trademark
rights,
he
ceased
use
of
the
trade
name.
Goodman
wished
to
continue
the
economic
activity
associated
with
the
Diamonds,
but
on
his
own
terms
as
holder of the trademark and manager of the group.
This
is
a
different
case
from
Silverman,
given
Goodman's
unique
position
as
manager
and
licensor.
By
the
nature
of
their
status,
managers
such
as
Goodman
are
constrained
in
the
means
available
to
them
for
using
trademarks.
The
constraints
are
not
present
for
performers
or,
as
in
Silverman,
broadcasters,
who
can
use
the
trademark
at
any
time
simply
by
performing
or
airing
a
show.
Goodman
could
only
use
the
name
derivatively
through
the
musicians
who
performed
under
his
management.
Here,
while
the
Diamonds
continued
to
perform,
their
manager,
the
owner
of
the
mark,
sought
to
enforce
his
contract
with
them.
Goodman
could
only
sue.
He
could
not
be
expected
to
make
alternative
uses
of
a
trademark
in
the
face
of
a
binding
contract
for
its
use
by
those
he
was
already
suing.
It
would
be
patently
unreasonable to require Goodman to use the trade name in any other way under the circumstances.
As
we
find
that
Goodman
continuously
used
the
trademark
throughout
the
period
in
question,
Stetson
cannot
rely
on
the
rebuttable
presumption
of
abandonment
arising
under
15
U.S.C.
§
1127
(abandonment
presumed
after
two
years
of
non-use).
Since
there
was
no
abandonment,
there
is
no
reason
for
us
to
consider
whether
Goodman
exhibited
an
intent
to
resume
use
in
the
reasonably
foreseeable
future.
See
Silverman,
870
F.2d
at
45.
Goodman
never
having
abandoned
the
Diamonds
trade
name,
the
Duncan
Group
clearly
obtained
good
title
to
it
from
its
predecessors
in
interest,
including
Goodman.
CONCLUSION
For
the
foregoing
reasons,
we
affirm
the
district
court
judgment
declaring
that
defendants-appellees
have
the
sole
right
to use the Diamonds name and permanently enjoining plaintiff-appellant from using the trade name or trademark.
This
is
an
edited
version
of
the
findings
of
a
court
case
involving
The
Diamonds.
With
an
issue
of
two
performing
groups
calling
themselves
the
Diamonds,
the
decision
of
which
one
of
the
two
groups
were
the
legal
ones,
and
held
the
copyright
to
the
name,
had
to
be
settle
by
legal
methods.
I
have
eliminated
some
references
of
the
cited
case
used
as
a
precedent to prove a point. However, you can read it in the complete version at this
link
.